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ANISOTROPIC An Exhibition Of Paintings By 3 Contemporary Well-Known Artists In Jehangir Art Gallery...

From: 19th to 25th August 2025

“ANISOTROPIC”

An Exhibition of Paintings by 3 contemporary well-known artists –  Boddeti Suryanarayana, Raki Rao, Diana.

VENUE:

Jehangir Art Gallery

161-B, M.G. Road, Kala Ghoda,

Mumbai – 400 001

Timing: 11am to 7pm

Contact: 9962293401

A  group show that depicts non uniformity in unity .

various styles , emotions and ideologies come together  as one narrative !

Anisotropic, where non-uniformity meets uniformity, a heartfelt event group show of 3 artists from Andhra Pradesh. Anisotropic is more than   just an art exhibition — it’s a beautiful reunion of us !

This show was inaugurated on 19th August 2025 by Honorable Guests – Mr. Nitin Jadia – Art Collector,  Mr. Sanjay Nikam – Art Curator, Mr. Gopal Pardeshi – well-known artist, Mr. Prasad Balan –  Arreywaah.com – Director, Founder among others. This show will continue till 25th August 202

Mr. Ajoykant Ruia(Director – Allstate Group) also visited this exhibition.

Boddeti Suryanarayana

Boddeti Suryanarayana is a retired Drawing Teacher. He has been producing wonderful paintings and works of Art. He is well-known all over India and also abroad. He has won several awards both at state and national level. The style of his art is realistic and deals with the lives of the Primitive Tribal Groups.

Boddeti Suryanarayana goes back to his boyhood days when he spent his days among the PTGs, as his elder brother was working in the Girijan Co-operative Corporation, Visakhapatnam District located in Paderu, Chinthapalli and Aruku Valley. His keen observation of their lives became the subject of his art of painting. He is a unique painter because nobody has touched this subject so far. His experiences of his early days with the PTGs brought him recognition at the national level and resulted in getting awards and name and fame.

The tribal communities in the Visakha Agency have a rich history, marked by unique cultural practices and distinct social structures. These groups, including the Bagata, Kotiya, Konda Dora, and others, have traditionally inhabited the hilly and forest regions of the Eastern Ghats.

The Khond, Porja and Gadaba are identified as “Primitive Tribal Groups” (PTGs). They depend on Podu cultivation, forest produce collection, carpentry and black smithing for their livelihood.

Mr.Boddeti Suryanarayana mingled with these Primitive Tribal Groups to study their life style. His paintings emerge out of his realistic study of their day-to-day life.

Raki Rao

RAKI, or Rama Krishna Donga, a Chennai-based artist from Palakol, Andhra Pradesh, will showcase his Fusion Art at the ANISOTROPIC group exhibition at Jehangir Art Gallery, Mumbai, from August 19th to 25th, 2025.

Self-taught but mentored by stalwarts like Ankaiah and Sri Rajavelu, RAKI has 40 years of experience, including assisting a well-known South Indian artist and associating with prominent groups like Guntur Pandavas and Kalapeetham of Andhra Pradesh. His artistic career, which began in 1985, later evolved to include modern abstract styles, blending cubism with traditional themes. This unique style, characterized by a symbiosis of modern techniques and a traditional foundation, is referred to as Fusion Art.

RAKI holds a Diploma in Painting from SDKK College of Fine Art, Chennai. He has served as Vice President of the Tamil Nadu Arts and Crafts Improvement Association (2017-2019) and Cultural Secretary for Andhra Pradesh & Telangana State at Sri Dharshini Group of Institutions (2018-2019). He also founded the VAPA-BAPU Art Association. RAKI has earned 16 awards in major South Indian competitions and participated in over 35 exhibitions.

Diana

Ms. DIANA , from Andhra Pradesh, is a passionate Educator, writer, art therapist, and  folk artist with 24 years of experience in the field of Art.  She is a multidisciplinary artist  who  practices a unique Art form called the Deccani scrolls  which is quintessential to Andhra and Telangana state , where she grew up !  Her vibrant works—encompassing textiles, murals, natural stone and clay colors , and community-based installations—reclaim indigenous and matriarchal histories.

She is a versatile artist who has done immersive residencies on batik from Indonesia  , natural dying from Mysore  and ceramics from chennai .Through intricate clay vessels, vibrant batik tapestries, and plant-based dyes, she explores themes of cultural motifs  and environmental connection. Additionally, she has completed an art therapy course and conducts successful therapy sessions for individuals and corporate clients who need help with depression and anxiety .

Currently, Diana works at KIDS Central High Cambridge International School, where she is deeply committed to fostering community connections through art.

ANISOTROPIC An Exhibition Of Paintings By 3 Contemporary Well-Known Artists In Jehangir Art Gallery

MEDITATIVE ECHOES An Exhibition Of Paintings By Dinesh Kumar Parmar In Jehangir Art Gallery...

12th to 18th August 2025

“Meditative Echoes”

An Exhibition of Paintings by

Dinesh Kumar Parmar

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 8830708819

Dinesh Kumar Parmar’s artistic oeuvre stands as a vivid visual meditation on inner states of being, spiritual transcendence, and the synesthetic experience of colour, rhythm, and emotional equilibrium. His recent series, as seen in the mixed-media works from Aura and Meditation, reveals a subtle and contemplative visual language where figuration and abstraction coalesce to communicate metaphysical stillness and emotional euphoria.

This show was inaugurated on 12th August 2025 by Honorable Guests Prof. Vishwanath Sable, Dean Govt. College of art and Design, Nagpur,  Nitin Jadia Art Collector, Rajendra Patil(Para) eminent artist, Sanjay Nikam Art Curator among others.

The central figure in meditative posture, rendered in earthy tones and textural overlays, becomes more than a subject—it becomes a metaphor for the eternal rhythm of existence and the serene cadence of spiritual awakening. Parmar’s art invites the viewer into a tranquil realm where silence is audible and time slows into reflection. His use of colour fields and organic textures evokes both natural patterns and inner emotional weather, turning each work into a portal of introspection.

The thematic continuities in his other paintings—such as the juxtaposition of a stag and bottled elements, or a female figure looking upwards to a red triangle—point towards dream logic and symbolic narration. These visual metaphors, grounded in tonal harmony and compositional finesse, suggest cycles of longing, observation, and silent transformation. There is a strong undercurrent of the feminine divine, spiritual ecology, and cosmic alignment running through his visual lexicon.

https://www.youtube.com/shorts/KwhFHBWJf-k

  

MEDITATIVE ECHOES An Exhibition Of Paintings By Dinesh Kumar Parmar In Jehangir Art Gallery

 

FRAGMENTS OF SILENCE An Art Exhibition By 6 Contemporary Renowned Artists In Jehangir Art Gallery...

From: 12th to 18th August 2025

“FRAGMENTS OF SILENCE”

An Art Exhibition by 6 contemporary renowned artists – Virendra Chopde, Vinay Bagde, Abhishek Chourasiya, Vinod Chachere, Siddharth Bettajewargi, Umesh Nayak

VENUE:

Jehangir Art Gallery

Auditorium Hall

161-B, M.G. Road,

Kala Ghoda, Mumbai 400001

Contact: +91 8149723564 / +91 7276409841

Timing: 11am to 7pm

This show was inaugurated on 12th August 2025 by Honorable Guests –

Dr. Kishor Ingale, kalasanchalak, kalasanchalanalay, Maharashtra Rajya.

 Milind Limbekar,Renowned artist, critic, and art collector.

Maheshchandra Rajgire, Eminent artist,

 Chandrakant Channe, founder, Basoli group.

Prof.Vishawnath Sable, Dean, Govt. College of Art and Design, Nagpur.

FRAGMENTS OF SILENCE

The aesthetics of fragments and silence occupy a potent conceptual space in today’s contemporary visual art. fragments operate as aesthetics and conceptual device; they reflect what we perceive and execute. whereas silence here is a space between what is said and what remains unspoken.

Artist today is practicing in various medium and material a group of such artists has joined hands together where they stand common conceptually but differs in the language and material. Each of them has their own poetics of fragments and space, yet they stand with a powerful narrative void and a space inviting spectator to enter the world of personal and collective history. Discussing on silence they call it a space not an emptiness, presence of the unseen silence which is muted by multiple layers of steel plates and arrested in the warmth of paper leaf in the shades of colour and the deliberate pauses between forms. it is not passive it resists withholds and listens.

The desire and capacity to move from the conscious to the mystical is constant and evident in this group’s explorations. Abhishek Chourasiya has straight dialogue between the tradition and modern consciousness he tries to understand the transformation of real and make belief he further clarifies that they both are so genuine that the creator the spectator and the unconcerned are engaged and realizes that it exists. this very existence is then related with his idioms of artwork and then continuum to exist in us. Siddharth Bettajewargi is the one who has distinctly used natural materials as the medium, viewing nature as his mother and prioritizing environmental concerns above all else. he creates and unleashes various form of human figures in the fallen leaf.

This transformation with the paper- mesh and fallen dry leaf is unique leaving behind interaction of speechless emotions characterized in flexible material. Umesh Chandra Nayak’s sculptures work convincingly challenge the formal nature of academic art, they are deeply personal yet universally resonant with exploration of memory, gender and cultural inheritance. The use of layered metal sheets in his sculptures is intended to symbolize different stages of human behavior, consciousness, and silence, evoking voices from stories that are otherwise inaccessible. It acts as vessels of absence, a carrier of silence. Sustaining each evolving phase of this self-awareness determines the individual contribution to humanity.

Vinod Chachere’s fragments in the work appears throughout the compositions not as ruins, but as carriers of memory. Vinod’s canvas becomes an excavation were meaning needs to be assembled attentively from scattered signs. The silence here is visual and quietness that emerges from muted palettes, minimal gestures, and restrained composition yet it is so conceptual. He believes Fragments and space do not diminish truth they deepen it and carries the viewer into an intimate dialogue. Vinay Bagade’s figures are narrative not through explicit storytelling but through gesture, posture and gaze inspired by lived experiences observation and fragmented memories rooted in traditional figurative techniques.

Vinay blends realism with beautification, often depicting static, emotionally distant figures, with decorative elements floating around as if they are residues of memory or psyche. Virendra Chopde displays his skill in portraying beautiful, elegant, simplified forms highlighted with his distinct style.

https://www.youtube.com/shorts/pVDWriDh0TQ

His paintings emphasize sensitivity of subject and strength of aesthetics, revealing interrelationship of nature and emotion. Chopde’s paintings are the celebratory interpretation of beauty, often featuring dynamic compositions that include flowers particularly “chafa” [Plumeria Flower] which reflect his affinity for nature. His depictions of men, women, flowers, leaf leaves a mark by flat joyous colours and elegant rhythmic lines.

MILIND LIMBEKAR

Artist, Art critic, Art collector

  

FRAGMENTS OF SILENCE An Art Exhibition By 6 Contemporary Renowned Artists In Jehangir Art Gallery

 

“Sacred Symphony of Nature” Solo Show of Paintings by Samar Ghosh in Jehangir Art Gallery...

5th to 11th August 2025

“Sacred Symphony of Nature”

Solo Show of Paintings by renowned artist Samar Ghosh

VENUE:

Jehangir Art Gallery

161-B, M.G Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: 8252866675 / 8709797685

Samar Ghosh unveils ground breaking new collection.

An inspiring artist Samar Ghosh is said to unveil his highly anticipated new collection “Sacred Symphony Of Nature” at Jehangir Art Gallery, Kala Ghoda, Mumbai on 5th August 2025 this compelling series marks a significant evolution in Samar Ghosh’s artistic journey blending bold experimentation with the deep exploration of emotional journey.

This show was inaugurated on 5th August 2025 by Mrs.Nidhi Choudhari(IAS)National Gallery of Modern Art, Mrs.K.G.Menon Secretary of Jehangir Art Gallery & Mr.Haren Thakur Eminent artist in the presence of eminent artists of sir J.J.School of Art.

Drawing inspiration from nature, personal experience and social commentary. The collection encapsulates artist Samar distinctive ability to capture the poetic and metaphorical expression in nature which conveys a deep thought process likely to reflect some mix of sacred ecological balance for life.

Each peace in this collection represents a moment of interaction with thought provoking messages. The exhibition will feature 15 pieces’ canvases, as well as selection of smaller intimate line drawing works that delve into the artist’s signature exploration of different techniques.

Through the use of colours and form, I aim to invite viewers into an intimate space where they can reflect their own emotional journey.

The show is not just a series of paintings: – It’s an exploration of vulnerability and strength through the language of art.

“Sacred Symphony of Nature” marks a bold an exciting new chapter in Samar Ghosh’s career, cementing there place as one of the most innovative and thought provoking artist of this generation.

The Exhibition invite’s both long time art collectors and new viewers to immerse themselves in an artistic experience.

About Artist: –

Samar Ghosh is an acclaimed contemporary artist known for his distinctive approach to colour, texture and form. With 25 years of experience, his work has been featured in numerous exhibitions including in different galleries.

“Sacred Symphony of Nature” Solo Show of Paintings by Samar Ghosh in Jehangir Art Gallery

Amitabh Ashesh Paints YUN BHI In Vesavar Art Gallery, Pune I 30th July To 8th August 2025...

Amitabh Ashesh Paints ‘Yun Bhi’ in Pune 

In the ongoing exhibition ‘Yun Bhi’ at Vesavar Art Gallery in Camp, Amitabh Ashesh introduces figuration through original, abstract concepts, reimagined forms and striking color fields. His exuberant scenes of daily life possess a theatrical quality, with statuesque figures in expressive gestures evoking tableaux vivants. Artworks are based on Amitabh’s compositional platform ‘Yufism’. Each painting is titled with a short poem infusing literary air. Penned by a mysterious Bolbul, they provide an emotive entry into a painting and spark viewer interpretations.

Amitabh trained at Stanford University’s Art Department under California stalwarts, including Frank Lobdell of the Bay Area Figurative movement. Displayed works reflect this lineage in simplified forms and emphatic colors however conceptual points of departure intentionally establish the paintings in their own category. For example, windows and doors are constructed with ‘masses of light’, figures at the beach wear undulating sea waves as skirt, and lovers and friends share conjoined limbs. Often natural elements such as the sun and the sky serve as props for human figures. In ‘Page Hunk’, a woman reading a romance novel has facial features reflecting the storyline and its protagonist.

There are instances of historical symbolism as in ‘Pick of Cactus’ where a book holding professor plucks cactus flowers from topmost shoots, outside the university garden periphery. Accompanying verse resonates with reference to the outcast struggling for social justice and pumping flowery fists. In ‘Paper Boat Nina’, evening takes the form of a girl, her red top standing for the sky and gray skirt with a paper boat representing the sea.

Yufism and its compositional principles have evolved over a decade. The same lead to a new class of imagery. Not prescribing an aesthetic style, they are agnostic to it. A vaild analogy would be of architectural blue prints upon which different looking houses may be built. The initial series  of paintings employ largely geometric shapes for easier explication but following works have an organic character. Yufist principles are designed for other artists too, giving them a wider significance.

Careful analysis of works reveal surprising ideation. ‘Choral Rain’ depicts a dancing girl against a metropolitan skyline as a storm picks up. Windows pour light and highrises flex, demonstrating ‘transposable behaviour’, a key Yufist tenet. Water beads arrange themselves at the girl’s feet in a necklace pattern making the rain ornamental. In ‘Wheat Field Mynah’ paying homage to Van Gogh, the sky is structured into blocks upon which clouds rest.

Senior artists and audiences in other cities have endorsed the new approach resoundingly. Vani Mangathil in Bangalore opined ‘Yufism is a completely new, innovative approach and an inspiring visual language. It presents a fresh vision that deserves to be understood and explored.’ Abstract artist Jagan felt depictions are ‘coming out naturally well… there is a lot of grammar and vibrations and no noise. Phenomenal!’. Young women, especially from fashion academies and colleges, gathered around ‘Freely’ with its uber contemporary saree, ‘Triangulator’ etc, feeling in lock step with the self-defining attitudes and couture.

Audiences seeking Indian cultural edge, will have cause to cheer the displays.

From: 30th July to 8th August 2025

YUN BHI

Solo Show of Paintings

VENUE:

VESAVAR ART GALLERY

MG Pune Central 2422, General Thimayya Road,

Pune – 411001

Contact: +91 9845956328

https://istarah.art

Time: 11am to 7pm

 

Amitabh Ashesh Paints YUN BHI In Vesavar Art Gallery, Pune I 30th July To 8th August 2025

AAFT Celebrates Convocation Of Its 124th Batch At Marwah Studios...

Noida, India, 10th June, 2025 – The Asian Academy of Film and Television (AAFT) marked a significant milestone with the grand convocation ceremony of its 124th batch at Marwah Studios. The event was graced by the dynamic Founder-President, Dr. Sandeep Marwah, whose heartfelt address stirred emotions and ignited inspiration among the graduating students.

In a powerful and emotionally charged speech, Dr. Marwah emphasized the values that have been the bedrock of AAFT’s success — trust, hard work, and continuous learning. “We are proud to say that today, AAFT ranks among the top five film schools in the world, and in three categories, we are number one,” he declared confidently. “We hold records for the highest number of student-led film productions, the most cultural and educational events hosted, and we continue to be the most economical film school globally in terms of our comprehensive, industry-aligned curriculum.”

Highlighting 32 years of relentless dedication to education, Dr. Marwah called the 124th convocation a testament to AAFT’s commitment to nation-building through creative education. He expressed heartfelt gratitude to the faculty, management, and administration for their unwavering support and contribution to the institution’s global stature.

“AAFT is not just an institution — it is a global brand in creative education, proudly representing the cultural values of over 90 countries that have nominated us as their cultural representatives,” Dr. Marwah added.

The ceremony witnessed the presence of key academic and administrative leaders including directors, deans, heads of departments, and faculty members, who joined in honoring the graduating students. A total of 165 students were awarded the prestigious Diploma of AAFT across various disciplines such as: Film & TV Production and Direction, Editing and Sound Recording, Camera and Lighting Techniques, Acting and Presentation, Still Photography, Bakery and Culinary Arts, Fashion and Makeup, Music and Singing and Digital Marketing.

This convocation not only marked the culmination of rigorous training and creative exploration but also celebrated the beginning of new journeys for the students stepping into the global media and creative industries.

AAFT continues to lead as a pioneer in media education, nurturing talent and shaping future leaders in the creative world. The institution remains committed to providing world-class training while promoting cross-cultural exchange and innovation.

 

AAFT Celebrates Convocation Of Its 124th Batch At Marwah Studios