International Journalism Day Marked By Grand Launch Of 14th Global Festival In Noida...

Noida Film City, India: In a magnificent celebration of media excellence, creativity, and global collaboration, the 14th Global Festival of Journalism & AVGC Noida 2026 was inaugurated with unprecedented grandeur at Marwah Studios, Film City Noida. The historic opening coincided with International Journalism Day, observed every year on 12th February, and witnessed an overwhelming gathering of thousands of media professionals, students, diplomats, and thought leaders from across the world.

The festival was formally inaugurated by a distinguished panel of eminent personalities including Sanjeev Paliwal, Senior Journalist, Sahitya Aaj Tak ; Rabindra Narayan Behera, Hon’ble Member of Parliament; veteran sports journalist Vimal Kumar; media strategic advisor Amitabh Srivastava; Ilie Surulescu from the Embassy of Romania; Ravi Kant Mittal, Editor-in-Chief, IBC24 News; and K. L. Ganju, Hon. Consul of the Union of Comoros.

Dr. Sandeep Marwah—President of the Festival, Chancellor of AAFT University, and President of ICMEI—set the tone of the event with a compelling address tracing the vision and evolution of the International Journalism Centre, the declaration of International Journalism Day on 12th February, and the remarkable global journey of the Global Festival of Journalism & AVGC.

Addressing the packed auditorium, Dr. Marwah proudly stated: The 14th Global Festival of Journalism has today become the biggest academic journalism event in the world. With more than 33 high-impact events over three days, participation from 92 countries, and over 100 eminent speakers from India and abroad, this festival stands as the most vibrant and inclusive celebration of journalism anywhere on the globe.” He further applauded the tireless dedication of faculty, staff, and students whose collective efforts transformed the campus into a thriving international media hub.

Hon’ble MP Dr. Rabindra Narayan Behera commended the initiative, underlining the crucial role of responsible and ethical journalism in strengthening democracy and national development. Sanjeev Paliwal spoke on the evolving narratives of journalism and the enduring importance of credibility. Vimal Kumar highlighted the rising stature of sports journalism and its influence on national identity. Cdr. K. L. Ganju praised the festival for fostering cultural diplomacy and global engagement, while Amitabh Srivastava emphasized the growing significance of strategic media communication in the digital era.

The opening ceremony culminated with Dr. Sandeep Marwah conferring the prestigious Global Excellence Awards upon distinguished journalists for their outstanding contributions to the profession.

The grand inauguration was followed by a rich showcase of creativity and innovation, including a Photography Exhibition, Painting Exhibition, Furniture Exhibition, and the vibrant AVGC (Animation, Visual Effects, Gaming & Comics) Wing, offering a glimpse into the future of storytelling and immersive media.

With record-breaking participation, unmatched international representation, and a powerful academic framework, the 14th Global Festival of Journalism & AVGC Noida 2026 has once again reaffirmed Noida’s position as the world’s leading destination for academic journalism celebrations.

International Journalism Day Marked By Grand Launch Of 14th Global Festival In Noida

“Divine Texture Of Culture” An Exhibition Of Sculptures By Kiran Shigvan, Karuna Shigvan At Nehru Centre Art Gallery...

From: 10th to 16th February 2026

“Divine Texture of Culture”

An Exhibition of Sculptures by Kiran Shigvan, Karuna Shigvan

VENUE:

Nehru Center Art Gallery,

AC Gallery, Dr. Annie Besant Road, Worli, Mumbai 400018

Timing: 11am to 7pm

Contact: +91 77108 68631 / +91 77759 87011

Kiran Shigvan:

Kiran Shigvan’s sculptures operate at the intersection of anatomical precision, restraint, and a sensitivity to material behaviour. Working primarily in fibreglass and bronze, he demonstrates a disciplined command over form, allowing the human figure to emerge not as show but as a site of quiet psychological intensity. His sculptures often appear paused mid-thought or mid-breath, suggesting an inward turn rather than an outward performance. There is no excess here, gesture is economised, surfaces are controlled, and the body is treated as a vessel of lived experience rather than an object of idealisation.

What is striking is Shigvan’s ability to let material speak without overpowering the subject. Fibreglass lends his figures a contemporary immediacy, while bronze anchors them within a longer sculptural lineage, creating a productive tension between the present and the classical. His figures carry the weight of ordinary vulnerability; fatigue, contemplation, resilience, rendered with dignity and restraint. In an age of overstated narratives, Kiran Shigvan’s sculptures insist on slowness, silence, and deep looking.

Karuna Shigvan:

Karuna Shigvan’s sculptural language is lyrical, devotional, and inward-looking, shaped by an enduring engagement with feminine presence, musicality, and mythic memory. Her figures, often women, musicians, or dual-faced visages are not portraits in the literal sense but embodiments of states of being: listening, offering, waiting, remembering. Working with bronze and fibreglass, she builds surfaces through intricate texturing that recalls textiles, jewellery, and ritual ornamentation, allowing the skin of the sculpture to carry cultural memory and form.

There is a musical rhythm in her work; the flute, the peacock feather, the inward-tilted head, suggesting sound translated into stillness. Unlike heroic monumentality, Shigvan’s sculptures favour intimacy and grace; their elongated proportions and softened gestures evoke bhakti traditions and classical Indian aesthetics without slipping into pastiche. The duality of faces hints at layered identities: inner and outer selves, the temporal and the eternal. Her work draws the viewer into a quiet, sustained communion. In a contemporary moment obsessed with speed, Karuna Shigvan’s sculptures reclaim slowness as a form of reverence.

——Sushma Sabnis (Mumbai)

“Divine Texture Of Culture” An Exhibition Of Sculptures By Kiran Shigvan, Karuna Shigvan At Nehru Centre Art Gallery

Star-Studded Premiere Night Of ‘Tu Ya Mai’ Hosted By Biggnerds’ Ansh Chopra With Shanaya Kapoor And Adarsh Gourav...

The much-anticipated premiere of Tu Ya Mai lit up Cinepolis, Fun Republic with a glamorous, star-studded night hosted by Biggnerds’ Ansh Chopra. The event featured lead actors Shanaya Kapoor and Adarsh Gourav, alongside director Bejoy Nambiar.

The evening was graced by a wave of popular creators and influencers, including Khushal Pawar, Arjun Pandey, Harsh Rane, Siddhant Sarfare, Mooz Graffiti, Rashi, Nish Woman, Sumeet, Priyanka Pandey, Devika, Sameeksha Takke, Vrushali Jawale, Sanjay Appan, Sawan, Jhabba, Akash It Is, Kajal Purohit, Princy, 7 Bantaiz, Sumeet, Aditya, Janak Bhanushali, Shantanu, Ansh, Akhiri Pasta, Badshah and over 100 other digital stars.

Co-hosted by the production team at Color Yellow Productions and managed by Chakliart Advertising Agency, the premiere was a celebration of cinema, creativity, and community—bringing together Bollywood and India’s top digital talent under one roof.

Tu Ya Mai promises to be a captivating cinematic experience, and its premiere set the tone for what’s sure to be a memorable run at the box office. The film also marked the debut of Ansh Chopra, whose excellent performance left the audience stunned. Audience reviews were overwhelmingly positive, with special praise for the thrilling second half and Shanaya Kapoor’s brilliant, star-making performance.

Star-Studded Premiere Night Of ‘Tu Ya Mai’ Hosted By Biggnerds’ Ansh Chopra With Shanaya Kapoor And Adarsh Gourav

Jakes Bejoy–Tovino Combo Continues The Musical Wave; Hindi Version Song ‘Phoolon Ki Tarah’ From Dijo Jose Antony’s Pallichattambi Released...

The Hindi version of the first single from Pallichattambi, directed by Dijo Jose Antony and starring Tovino Thomas in the lead, has been released. Titled “Phoolon Ki Tarah,” the song is composed by hit music director Jakes Bejoy and is already creating buzz among music lovers.

The Hindi lyrics are penned by Kunwar Juneja, adding a poetic and heartfelt texture to the composition. The song is rendered by Ritesh G Rao and Krishna Lasya, whose expressive vocals beautifully elevate the emotional and romantic mood of the track.

The film features several prominent actors from the South Indian film industry. After the strong reception received for the Malayalam and Tamil versions, the Hindi version is also expected to connect widely with audiences across regions. The visually captivating song sequence showcases Tovino Thomas alongside leading lady Kayadu Lohar, further enhancing the romantic and emotional appeal of the number.

Jakes Bejoy is currently regarded as one of the most sought-after music directors in South Indian cinema. Recently, Bollywood superstar Ranbir Kapoor praised the music of Jakes Bejoy’s Lokah during an interaction with fans, bringing further national attention to his work. With Pallichattambi, Jakes continues his successful musical journey with Tovino Thomas.

The film marks the fourth collaboration between director Dijo Jose Antony and Jakes Bejoy, a duo that previously delivered chartbuster albums in films like Queen, Jana Gana Mana, and Malayali from India.

Written by hit screenwriter S. Suresh Babu and shot by cinematographer Tijo Tomy, Pallichattambi is a period film produced under the banner of World Wide Films by Noufal and Brijesh, along with C Qube Bros Entertainment led by Chanukya Chaitanya Charan. The film is gearing up for a worldwide theatrical release in five languages on April 9.

Jakes Bejoy–Tovino Combo Continues The Musical Wave; Hindi Version Song ‘Phoolon Ki Tarah’ From Dijo Jose Antony’s Pallichattambi Released

SK. Tiwari’s Soulful Music Album “WAQT” Releasing This Valentine’s Day On TPS Music...

Acclaimed actor, producer and director SK. Tiwari is all set to present his ambitious and emotionally stirring Hindi music album “Waqt”, releasing this Valentine’s Day on TPS Music’s official YouTube channel.

The music video features SK. Tiwari himself in the lead role alongside Hema Sharma, popularly known for her appearance in Bigg Boss. The pair brings remarkable intensity and heartfelt emotion to the screen, making the visual narrative deeply engaging and relatable.

Shot entirely in Mumbai, “Waqt” is a melodious and meaningful creation that highlights the significance of time in human life. The recently unveiled poster has already sparked curiosity and excitement among audiences, building anticipation for the release.

The song has been beautifully sung and composed by Sudhir Trivedi, whose soulful rendition touches the heart. The deeply expressive lyrics by Sangeeta Trivedi reflect a universal truth — time is the most powerful force in existence. The choreography by DC Chaturvedi adds grace and emotional depth to the storytelling.

Sharing his thoughts about the album, SK. Tiwari said:

“Time first takes away our childhood and then our youth. Every person has suffered because of time, yet time also heals. The entire universe functions according to time — it can turn a king into a pauper and a pauper into a king.”

Presented under the banner of Tiwari Productions, “Waqt” reflects SK. Tiwari’s commitment to meaningful and value-driven content. Known for delivering impactful music projects across genres, he continues to focus on artistic integrity rather than merely chasing results.

With its powerful message, soulful music and compelling performances, “Waqt” promises to leave a lasting emotional impact on audiences this Valentine’s Day.

SK. Tiwari’s Soulful Music Album “WAQT” Releasing This Valentine’s Day On TPS Music