A Life Dedicated To Spiritual Wisdom And Service: Dr. Gopal Krishna H. Upadhyay...

Dahod, Gujarat — Dr. Gopal Krishna H. Upadhyay, a renowned Shrimad Bhagwat Acharya, has devoted his life to the promotion of spiritual knowledge, social service, and humanitarian efforts. Born on May 4, 1976, in Ratlam (Madhya Pradesh), he has emerged as a respected scholar and teacher of the Shrimad Bhagwat Purana.

Holding a Master’s degree in Sanskrit, Dr. Upadhyay has dedicated years to spreading the teachings of Sanatan Dharma. His deep understanding and commitment to spiritual education have earned him recognition across various regions.

In 2002, his contributions were honored with the prestigious “Shrimad Bhagwat Ratna” award, presented by former President of India, Dr. A.P.J. Abdul Kalam. Recognizing his exceptional talent and contributions, he was also honored with the Bharat Gaurav Samman.

Apart from his spiritual teachings, Dr. Upadhyay is widely admired for his social and humanitarian work. He actively participates in Gau Seva and manages a Gaushala in Dahod that shelters more than 500 cows, including sick and abandoned cattle.

His compassion extends beyond cows, as he also cares for approximately 500 stray dogs and other animals such as monkeys and birds. His dedication to animal welfare highlights his deep sense of responsibility towards all living beings.

Dr. Upadhyay is also involved in humanitarian initiatives, supporting orphanages and elderly homes, reflecting his commitment to social upliftment.

A devoted follower of Lord Hanuman and Radha-Krishna, he continues to inspire society through his spiritual guidance and selfless service. His mission remains focused on philanthropy and the promotion of Sanatan values.

A Life Dedicated To Spiritual Wisdom And Service: Dr. Gopal Krishna H. Upadhyay

A Young Dreamer Aiming For The Nation: Dipanshu Maurya’s Inspiring Journey...

Vaishali, Bihar – In a small district of Bihar, a young and determined boy, Dipanshu Maurya, is nurturing a powerful dream—to serve the nation as a Para SF Commando in the Indian Army. Coming from a humble yet supportive family, Dipanshu’s story reflects dedication, patriotism, and inspiration.

Dipanshu is the son of Rajkumar Verma, a hardworking farmer, and Jaymala Rani, a dedicated teacher. Growing up in an environment where values of discipline and education were deeply rooted, he developed a strong sense of responsibility towards his country.

His biggest inspiration comes from brave soldiers like Captain Vikram Batra and Lucky Bisht, whose courage and sacrifice have left a deep impact on his life. Moreover, his grandfather, Deoki Nandan Prasad Sinha, a retired Indian Army personnel, played a significant role in motivating him to follow the same path of service.

Apart from his dream of joining the army, Dipanshu is also passionate about writing books and singing, which reflects his creative side. With constant support from his family and teachers, he is determined to achieve his goal.

Dipanshu proudly says that he loves his country deeply and wants to dedicate his life to its service. His journey is a true example of how dreams, when supported by determination and inspiration, can lead to greatness.

A Young Dreamer Aiming For The Nation: Dipanshu Maurya’s Inspiring Journey

The MAHARASHTRA SHRI SAMMAN Ceremony Was Organized By The Directors Of Manarang LLP, Mr. Shrirang Moholkar & Dr. Rajesh Srivastav...

The program began with a Ganesh Vandana performed by Smt. Medha Khare and her group.

This was followed by a Lavani performance by Shreeya Tamhankar and her group. The Lavani, composed by Dr. Manjusha Kulkarni, was beautifully rendered by National Award-winning singer Savani Ravindra.

Hindu Colony Marathi Sanskruti Manch presented an impressive Lathi-Kathi performance. A Vedic Fashion Show was also showcased by Smt. Shubhangi Ghatnekar (Purvaj Brand), which attracted special appreciation from the audience.

The Chief Guest for the event was Padma Shri Dr. Soma Ghosh. The Special Guests included Adi Shankaracharya Trikal Bhavant Saraswati Ji, Dr. Manjusha Kulkarni, and Advocate Isha Agrawal.

The event was hosted by internationally renowned anchor Simran Ahuja.

On this occasion, the following dignitaries were honored with the “Maharashtra Shri Samman”:

• Avinash Sharda Pralhad Dharmadhikari,
• Shubhangi Ghatnekar,
• Ujjwala Chakradev,
• Nishigandha Wad,
• Savani Ravindra,
• Padma Shri Dr. Ashok Gupta,
• Sunil Pal,
• Vilas Parab,
• Deepak Rannavare,
• Pandit Shaunak Abhisheki,
• Rahul Ghosh,
• Prakash Tata,
• Usha Dutt,
• Taher Chittalwala,
• Ajit Manyal,
• Sandeep Biptte,
• Krishna Hegde,
• Pratik Mohan Sharma,
• Archana Sharma,
• Advocate Chandraprakash,
• Shraddha,
• Siddharth Deshpande,
• Pooja Sawant,
• Amarpreet Tan,
• Kaval Kumar ( Leo Media Digital ),
• Sanjeev Kumar (Swadesh News),
• Acharya Shri Arvind,
• Madhu Lakhotia,
• Shubhankar Ghosh,
• Faisal Nivivala.

All of them were honored with the “Maharashtra Shri Samman” for their notable contributions.

The MAHARASHTRA SHRI SAMMAN Ceremony Was Organized By The Directors Of Manarang LLP,  Mr. Shrirang Moholkar & Dr. Rajesh Srivastav

“Yellow Canvas 2026” A Children’s Art Exhibition At Kamalnayan Bajaj Art Gallery I 18th & 19th April 2026...

From: 18th & 19th April 2026

“Yellow Canvas 2026”

A Children’s Art Exhibition

VENUE:

Kamalnayan Bajaj Art Gallery

Bajaj Bhavan, Ground Floor, Jamnalal Bajaj Marg,

226 Nariman Point, Mumbai 400021

Timing: 11am to 7pm.

Contact: +91 9975781972

www.yellowcanvas.in

The Yellow Canvas Platform presents Yellow Canvas: A Children’s Art Exhibition 2026, an initiative led by Sohan Kumar Choudhary, an alumnus of Sir J.J. Institute of Applied Art. Conceived as a space to recognise and nurture emerging talent, the exhibition brings together a diverse body of work by young artists trained under his guidance, with 81 students from Sr. KG to Grade 12 participating in this edition.

At its core, the exhibition celebrates creativity as an essential and deeply human faculty. It reflects a pedagogical commitment that moves beyond technical instruction, encouraging students to develop independent visual languages while grounding them in strong foundational and advanced artistic principles. Over the years, many participants from this ecosystem have progressed into fields such as applied art, product design, graphic design, fashion, and interior design, with several establishing themselves as practicing professionals, educators, and international exhibitors.

This edition expands its scope by including works from students based across the United States, Germany,  UAE, Armenia, Canada, Belgium, Thailand, Netherlands, and Singapore. The exhibition thus situates itself within a broader global dialogue, while remaining rooted in Indian artistic traditions, including engagements with folk forms and regional visual cultures.

Yellow Canvas 2026 is not merely a display of youthful expression but an evolving platform that fosters discipline, imagination, and cultural exchange. By creating an environment that is both structured and exploratory, the initiative underscores the importance of sustained engagement with art from an early stage.

The exhibition stands as a testament to the role of mentorship in shaping future creative practices, offering young artists both visibility and encouragement in their formative years.

The Participating Students:

Siddhansh Romin Mehta, Aaryan Chandresh Soni, Anoushae Aga, Narek Mihranyan, Ye Htut Naing, Aanya Potdar, Ariha Romin Mehta, Ivaan Sancheti, Ivaan Potdar, Naavya Pratik Shah, Ye Htut Bo, Ayansh Hiren Vora, Kabir Kurien, Leonid Luchkin, Raehan Aga, Avni Hitesh Gurav, Nirvi Ankit Mehta, Smera Sanghvi, Tahmir Patrawalla, Veera Arvind Kumar Jain, Agastya Jhaveri, Annirudh, Anvay Shah, Dev Sushil Kothari, Dhrishay N. Mehta, Hitansh Ankur Kothari, Kimaya Padhye, Mihaan Ajmera, Myra Shah, Rehaan Sahil Jhaveri, Aarav Pankaj Dhawan, Aariv Sanghavi, Anaaya Deep Shah, Joel Varghese, Yashika Jain, Hiya Shah, Kayan Shah, Kiah Rohan Shah, Mohnish Sajnani, Mysha Jain, Riaana Kartik Shah, Saathvik Subrotho Rana, Saisha Dalvi, Yashika Chandresh Soni, Aahana Gaurav Koradia, Aarav Jain, Hia Kaushal Shah, Himaayaa Raghani, Nathanael Nadal Suganth, Tanush Jani, Vviyaa Ritesh Jain, Aalia Kacheria, Aarav Dave, Aditi Kothari, Akshaj Sanghvi, Anay Aadish Shah, Anaya Meghani, Antak Sanghvi, Dhruti Vrajesh Shah, Dhruvi Dassani, Dravya Dilip Vardhan, Nisreen Sanchawala, Vivaan Shah, Vyom Goenka, Aamena Lokhandwala, Amatullah Shabbir Masalawala, Anshul Minda, Ayaana Agarwal, Hufriya Italia, Livana Sethi, Owee Vinayak Hendre, Vritti Prem Avichal, Aarya Sharma,  Ananya Subrotho Rana, Diya Vakil, Natasha Kalpesh Rathod, Nithya Sharad Avhad, Tia Bhavik Shah, Manav Gorakh, Naffeesaa Murtazza, Taksh Gagan Kothari.

This show was inaugurated on 17th April 2026 by Honourable. Chief Guest H.E. Aliaksandr Matsukou (Consulate General of the Republic of Belarus in Mumbai)

Guests of Honour :

Ms. Nidhi Chaudhary (IAS) Director, National Gallery of Modern Art, Mumbai, Prof. G. G. Waghmare Former Director, Directorate of Art, Government of Maharashtra Former Dean, Sir J. J. Institute of Applied Art, Dr. Uttam V. Jain Patron, Hindustan Chamber of Commerce, Mumbai, Ms. Dolly Thakore Indian Theatre Actress & Casting Director Malti Jain Director- Public relations & Social Philanthropy, Mr. S. P. Ahuja President – All India Anti Terrorist Front, Mumbai, Dr. Aneel Kashi Murarka Industrialist & Indian Philanthropist, Tassnim Nerurkar Television Actor, Dishita Sehgal Child Actor, Anngad Raaj Child Actor.

“Yellow Canvas 2026” A Children’s Art Exhibition At Kamalnayan Bajaj Art Gallery I 18th & 19th April 2026

“IN THE FACE OF IT ALL”, Solo Exhibition Of Sculptures By Dr. Venkata At Jehangir Art Gallery...

Renowned sculptor Dr. Venkata presents “IN THE FACE OF IT ALL”, a solo exhibition of his recent sculptures at Jehangir Art Gallery, Kala Ghoda, Mumbai, on view from 14^th to 20^th April 2026, from 11 am to 7 pm.

Working with bamboo, paper, resin, and draped fabric, Dr. Venkata transforms humble materials into striking sculptural presences. At times enhanced with paint, the works take on a semi-realistic quality, further enriched by the enduring sculptural traditions of the temples of Andhra Pradesh. The result is a compelling visual field where humanity and environment remain inseparably bound in a tense coexistence.

Nature, in this exhibition, is not passive scenery but the structuring principle of existence. Fishermen, women, and hybrid anthropomorphic forms emerge as tidal beings shaped by wind, salt, soil, and the memory of coastal labour. Their bodies inhabit porous, honeycomb-like landscapes suggestive of multiple, entangled worlds.

The exhibition emerges from Venkata Rao’s sustained engagement with the sea as both memory and material condition. His sculptures pulse with the unruly energy of water, responding to the violence of human excess and the ecological aftermath it leaves behind.

Dr. Venkata Rao’s sculptural language moves with the force and unpredictability of water, surging in response to the consequences of human excess. Rooted in the memory of a place once called home and layered with nostalgia, his works unfold through profound spatial and emotional depth. Rather than moralising, he excavates enduring archetypes of time and transformation.

These sculptures resonate with the lived realities of seaside communities for whom the sea remains a lifeline. Here, nature is not a backdrop but the governing force that shapes labour, survival, and everyday life. The works also bear witness to polluted waters, altered coastlines, and bodies marked by ecological imbalance.

As the artist reflects: “My reaction to humanity’s savage flaws has transformed into forms that are partly human and partly animal. Yet my concern for humankind has altered my judgment, turning them into gorgeous gargoyles, metaphorical depictions of metropolitan life and its convoluted existence.”

The sculptures also open a conversation around memory as an ecological archive. In Venkata Rao’s practice, the coastline is not merely a site but a living repository of labour, ritual, erosion, and resilience. Each surface seems to retain traces of weathered histories, allowing the viewer to encounter not only the form itself but the sediment of lives shaped in proximity to the sea.

A compelling tension runs through the exhibition between fragility and monumentality. While the use of bamboo, paper, and fabric suggests delicacy and impermanence, the figures assert an undeniable physical authority. This duality mirrors the condition of the communities they evoke, vulnerable to environmental change, yet enduring through inherited knowledge, collective memory, and adaptation.

What ultimately emerges is a sculptural meditation on coexistence: between the human and the animal, the urban and the elemental, memory and transformation. The works invite viewers to consider how bodies, landscapes, and systems remain deeply entangled, and how the restoration of this relationship may be as much an act of remembrance as it is of responsibility.

This show was inaugurated on 14^th April 2026 by Honourable Guests Dr. Achal Pandya(Professor and Head of the Division(Conservation) Indira Gandhi National Centre for the Arts(IGNCA) Janpath, New Delhi), Mr. Ratan Krishna Saha(Eminent Sculptor) among others.

“IN THE FACE OF IT ALL”, Solo Exhibition Of Sculptures By Dr. Venkata At Jehangir Art Gallery