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लाल परी फेम सिंगर सिमर कौर की आवाज में आर सिरीज रिलीज कर रहा है म्युज़िक वीडियो ‘कजला’ रेहा खान ने किया अभिनय...

मुम्बई. प्रोड्यूसर और एक्ट्रेस रेहा खान अब नया म्युज़िक वीडियो लेकर आ रही हैं जिसका नाम है “कजला” ये शानदार म्युज़िक वीडियो म्युज़िक लेबल आर सीरीज से रिलीज हो रहा है.

इस गाने को “लाल परी” गीत गाने वाली सिंगर सिमर कौर ने आवाज दी है. गाने को सिमर कौर के साथ लव दत्ता ने गाया है. म्युज़िक विडिओ में रेहा खान और लव दत्ता ने फीचर किया है. इमोशन और सदाबहार म्युज़िक के तालमेल से भरे इस गाने को डायरेक्ट किया है वरुण बिल्ला ने जबकि इसके लीरिक्स और कंपोजिशन तैयार किए हैं लव दत्ता और बिग शंकि डी ने. म्युज़िक वीडियो के डीओपी प्रभ सैनी, म्युज़िक प्रोड्यूसर ग्रामी, इपी हिमांशु अग्रवाल हैं.

रेयानतो स्टूडियोज के प्रॉडक्शन मे तैयार “कजला” गाने को लेकर रेहा खान बहुत उत्साहित हैं. गाना चंडीगढ़ मे शूट किया गया है और बहुत ही खूबसूरत है उन्हें विश्वास है कि ये गीत भी लाल परी जैसा ब्लॉकबस्टर सिद्ध होगा. बता दें कि रेहा खान ने अपनी म्युज़िक कंपनी आर सीरीज आर सिरीज से कई हिट गाने रिलीज किए हैं.

रेहा खान एक एनजीओ फरिश्ता सोशल फाउंडेशन भी चलाती हैं जिस के अंतर्गत वह जरूरतमंदों को राशन किट, स्वीट्स और ड्राई फ्रूट्स देकर मदद करती है.

फ़िल्म अभिनेत्री और सोशल एक्टिविस्ट रेहा खान को दिव्यांगों की मदद करना पसन्द है.

मुंबई प्रतिनिधी : रमाकांत मुंडे

 

लाल परी फेम सिंगर सिमर कौर की आवाज में आर सिरीज रिलीज कर रहा है म्युज़िक वीडियो ‘कजला’ रेहा खान ने किया अभिनय

Actress Nandini Upadhyay The Success Story Of Singer And Her Melodious Flight In The City Of Dreams...

Mumbai. Every day, thousands of people arrive in the city of dreams, Mumbai, with the intention of turning their aspirations into reality. While some get lost in the struggle, others reach the pinnacle of success through hard work, dedication, and talent. One such inspiring journey is that of singer and actress Nandini Upadhyay, who is currently in the spotlight for her work and rapidly growing popularity.

With her soulful voice and impressive acting skills, Nandini Upadhyay has carved a special place in the hearts of audiences in a short span of time. Whenever she sings, listeners are left mesmerized, completely absorbed in her voice. Her fan following on social media is also increasing steadily, clearly reflecting her rising popularity.

Originally from the Sultanpur district of Uttar Pradesh, Nandini Upadhyay came to Mumbai to try her luck in the city of dreams. Her hard work, discipline, and continuous practice paid off, as she received one good opportunity after another, allowing her career to progress consistently.

Blessed with a charming personality, Nandini Upadhyay attributes her success to her parents. She says that the values, guidance, and blessings of her mother Poonam Upadhyay and father Harishankar Upadhyay have helped her reach this milestone. The journey from a small town to Mumbai was not easy, but her family’s support has always been her greatest strength.

In the coming times, several major projects of Nandini Upadhyay are set to be unveiled before the audience. Considering the way she is moving forward with her melodious voice and strong acting skills, it would not be wrong to say that the day is not far when Nandini Upadhyay will rule the hearts of people with her talent.

Notably, in the bustling city of Mumbai—where everyone remains occupied with their own pursuits—the journey of Nandini Upadhyay has also been strongly supported by her associate, industrialist and social worker Bahubali Rahul Pandey. Nandini Upadhyay has expressed her gratitude for his valuable support in her career journey.

Actress Nandini Upadhyay The Success Story Of Singer  And Her Melodious Flight In The City Of Dreams

Actress -Model Munazza Sabuwala Is Consistently Worked On Modeling Assignments, Ramp Walks, Print Shoots & Advertising Campaigns...

Munazza Sabuwala, who is rapidly making her mark on the journey from model to actress, will soon be seen by audiences in several new and exciting projects. In the coming months, she will showcase her acting talent in a reality show, a music video, and a television serial.

Munazza began her career as a model, always prioritizing self-reliance. In her early days, she worked a job to avoid depending on anyone for her needs. She used her earnings to get her photoshoots done and create her portfolio. This self-belief and hard work propelled her forward.

Following this, Munazza consistently worked on modeling assignments, ramp walks, print shoots, and advertising campaigns. She won the Miss Pune title and received several awards. She participated in many prestigious modeling shows not only in India but also abroad, establishing a unique identity for herself. After making a strong presence in the modeling industry, she is now starting a new and powerful chapter in her career as an actress.

Munazza believes that “when we dream a dream or set a goal, we should continuously work hard to achieve it, because those who try never fail.” This mindset is the greatest strength behind her success.

Extremely self-respecting, confident, and multi-talented, Munazza says that if she weren’t an actress, she would have definitely made her mark as a model, anchor, or reporter. Besides acting and being comfortable in front of the camera, she is also an excellent tarot card reader. She loves learning new things, which makes her personality even more special.

When it comes to cinema, she is a big fan of Sanjay Leela Bhansali and Karan Johar. She is very much attracted to Nora Fatehi’s dance style, while Katrina Kaif and Kareena Kapoor are among her favorite actresses. She aspires to play lively roles like those in the film Jab We Met and strong characters like Jasmeet in Namaste London. Munazza Sabuwala is a perfect blend of struggle, confidence, and talent—she is not only living her dreams but also becoming an inspiration for others through her hard work.

  

Actress -Model Munazza Sabuwala Is Consistently Worked On Modeling Assignments, Ramp Walks, Print Shoots & Advertising Campaigns

रत्नाकर कुमार, शिल्पी राज और माही श्रीवास्तव का भोजपुरी गाना ‘दिलवा में रखिहा’ पार किया तीन मिलियन व्यूज...

फिल्म निर्माता रत्नाकर कुमार, भोजपुरी की फेमस सिंगर शिल्पी राज और भोजपुरी की बेस्ट एक्ट्रेस माही श्रीवास्तव की तीकड़ी नया कीर्तिमान स्थापित कर दिया है। जी हाँ! उनकी तिकड़ी में आया बिग ब्लास्ट भोजपुरी गाना ‘दिलवा में रखिहा’ रिलीज होते ही वायरल हो गया है और देखते ही देखते तीन मिलियन व्यूज यूट्यूब पर पार कर गया है। ये भोजपुरी गाना वर्ल्डवाइड रिकॉर्ड्स भोजपुरी के ऑफिसियल यूट्यूब चैनल पर रिलीज होते ही वायरल हो गया है। इस गाने के तीन मिलियन क्लब में शामिल होने पर सिंगर शिल्पी राज और एक्ट्रेस माही श्रीवास्तव ने जश्न मनाया है। बता दें कि इस गाने को पिक्चराइजेशन काफी रिच और महँगे क्लब में किया गया है, जोकि भोजपुरी गानों की मेकिंग के लिए बहुत बड़ी बात है। इसके वीडियो में दिखाया है कि माही श्रीवास्तव लेदर की जैकेट और हाफ पैंट पहने किसी क्लब में जाती हैं, जहाँ पर हॉट लुक में बहुत लड़कियां नकाब पहने इतराते हुए नजर आ रही है। डिस्को म्यूजिक पर माही श्रीवास्तव  ठुमका लगाते हुए कहती हैं कि…

‘केतनो डेरवइबा राजा केतनो धमकइबा हो, आइब ना बात में केतनो फुलाइबा हो, रहे वाली नइखे तोहसे डर के पिया, जदि चाही ले भलाई अपना घर के पिया, त दिलवा में रखिहा मेहर के पिया, न त मरि जाइब कुछ करिके पिया, त दिलवा में रखिहा मेहर के पिया…’

वर्ल्डवाइड रिकॉर्ड्स प्रस्तुत भोजपुरी गाना ‘दिलवा में रखिहा’ के निर्माता रत्नाकर कुमार हैं। इस गीत को सिंगर शिल्पी राज ने अलग अंदाज में गाया है।  एक्ट्रेस माही श्रीवास्तव ने वेस्टर्न और इंडियन लुक में अपनी कातिल अदाओं का जलवा बिखेरा है। डायरेक्शन टीम रावये फिल्म्स, डांसर्स लुक मनीषा टांक, आर्टिस्ट मेकअप इंद्रजीत दास, हेयर पीहू का है। आर्ट डायरेक्टर सोनू एसके, असिस्टेंट डायरेक्टर रवि थापा, रजत वैद और रितिका बीटीएस और स्टिल फोटोग्राफर सौरव हैं। लोकेशन एच एल वी फिल्म सिटी, कॉस्ट्यूम रजत मनचंदा का है।

इस गीत को लेकर सिंगर शिल्पी राज ने कहा कि ‘जब इस सांग को गाने आफर मेरे पास आया था तो इस गाने का बोल सुनकर तभी मुझे लगा था कि ये गाना तो हिट है बॉस। अब ये सांग ऑडियंस भर-भर कर अपना प्यार दे रहे हैं, इसके लिए सभी को दिल से थैंक्यू, साथ ही इतना बेस्ट सांग बनाने के लिए रत्नाकर कुमार सर को तहेदिल धन्यवाद!’

एक्ट्रेस माही श्रीवास्तव ने कहा कि ‘मनोरंजन से भरपूर यह लोकगीत तीन मिलियन व्यूज यूट्यूब पर पार कर गया है, यह मेरे लिए किसी जश्न से कम नहीं है। इस बिग ब्लास्ट भोजपुरी गाना में परफॉर्म करके मुझे बहुत खुशी मिली है। इतना बढ़िया लोकगीत बनाने के लिए रत्नाकर कुमार सर को दिल से धन्यवाद देती हूँ और भरपूर प्यार देने के लिए सभी ऑडियंस को दिल से धन्यवाद देती हूँ।’

तीन मिलियन व्यूज पार किया शिल्पी राज और माही श्रीवास्तव का वायरल भोजपुरी गाना ‘दिलवा में रखिहा’

Global Sovereignty Index Flags India’s Cognitive Deficit, Sparks Urgent Debate on Education and Knowledge Autonomy...

India, December 16, 2025:  The release of the world’s first Sovereignty Index by the International Burke Institute, assessing all UN member states across political, economic, technological, informational, cultural, cognitive, and military dimensions, has sparked urgent debate on India’s education and knowledge autonomy.  Early findings on cognitive sovereignty have placed India under the spotlight.

The Index, unveiled on December 14, indicates that despite India’s demographic strength and economic momentum, the country needs further structural reforms to improve its ability to independently produce knowledge, nurture critical thinking, and control its intellectual and digital ecosystems. As per International Burk Institute ranking India occupies 24th rank in overall Index, however in  Cognitive Sovereignty Index, the country ranks 130th out of 193 countries.

The findings have triggered sharp commentary from education and knowledge-system experts. Commenting on India’s ranking, Priyanka Yadav, Vice President of ONEFUTURE and Director of Educational Policy Research for India–Israel Cooperation, and Gabriel Mart, Scientific Secretary of the International Burke Institute, argued that cognitive sovereignty needs to be treated as a national priority as it plays a crucial role in shaping ideas, narratives, and innovation in an increasingly competitive global order.

The Sovereignty Index evaluates how effectively nations cultivate independent thinking, critical reasoning, and control over their own knowledge ecosystems.  According to the Institute’s findings, India’s cognitive sovereignty indicators lag behind its economic and geopolitical ambitions, exposing vulnerabilities in education systems, digital knowledge infrastructure, and intellectual autonomy.

Commenting on the findings, Priyanka Yadav, an expert on education reform and cognitive sovereignty, said, “When a nation does not shape its own knowledge systems, it gradually surrenders its ability to shape its future. India needs to bridge sovereignty gap urgently.”

Post-pandemic assessments across multiple Indian states reveal that foundational learning outcomes remain weak, with large numbers of children unable to read or comprehend age-appropriate material. At the higher education level, skill-based studies show that only a fraction of graduates demonstrate critical reasoning and applied problem-solving abilities. Together, these indicators suggest a systemic issue rather than isolated failures.

Yadav emphasized that the roots of the challenge are historical as much as institutional. “India’s education structure still carries the imprint of colonial-era designs that prioritized compliance over curiosity. We have reformed policies and curricula over time, but the deeper architecture of how minds are trained has not fully shifted toward intellectual independence,” she said.

Gabriel Mart, an Israeli global public health researcher and Scientific Secretary of the International Burke Institute echoed this concern from a global perspective. “India possesses immense demographic and intellectual capital. Yet its education and information systems often reward rote performance rather than inquiry. Cognitive sovereignty depends on the ability to question, critique, and generate original knowledge — not simply to absorb it,” he said.

The Burke Institute’s analysis contrasts India’s trajectory with examples such as Uruguay, a smaller nation that has deliberately invested in cognitive infrastructure. Through its long-running Plan Ceibal initiative, Uruguay combined universal digital access with curriculum redesign, media literacy, and institutional autonomy. The result has been near-universal internet penetration, strong research concentration, and a population better equipped to navigate complex information environments.

For India, the irony is profound. Long before modern sovereignty indices existed, the subcontinent was a global center of cognitive autonomy. Ancient universities such as Nalanda, Takshashila, and Vikramashila attracted scholars from across Asia, operating as hubs of original research in philosophy, medicine, mathematics, astronomy, and statecraft. These institutions thrived on curricular freedom, pluralistic debate, and rigorous inquiry — principles that modern systems now seek to rediscover.

“India once exported knowledge rather than importing frameworks. Its scholars controlled both what was taught and how truth was evaluated. That is the essence of cognitive sovereignty,” Mart said.

The experts pointed out that colonial interventions dismantled much of this indigenous knowledge infrastructure, redirecting education toward administrative utility and epistemic dependence. According to Yadav, the long-term impact has been a shift from knowledge production to consumption. “What we see today is not just underinvestment in schools or technology. It is the cumulative effect of epistemic disruption that reduced India’s control over its own intellectual agenda,” she emphasized.

India’s National Education Policy (NEP) 2020 represents a meaningful attempt to reverse this trend by emphasizing multidisciplinary learning, critical thinking, and linguistic diversity. Both experts acknowledge its promise, while cautioning that policy intent must be matched by systemic reform in assessments, teacher training, and institutional incentives.

Beyond classrooms, the Burke Index flags emerging digital vulnerabilities. Limited household internet access, uneven teacher readiness in information and communication technologies, and reliance on foreign-controlled digital platforms raise concerns about who ultimately shapes India’s information environment.

“When a nation’s cognitive space is governed externally, sovereignty is diluted. This is not merely a technology issue; it is a strategic one,” Mart warned.

As the full Sovereignty Index is out now, experts stressed that India’s findings should be read not as a verdict, but as a call to action. With the world’s youngest population and a rich intellectual heritage, India has the capacity to reclaim cognitive leadership — provided it treats intellectual autonomy as a core pillar of national strategy.

“India’s future will be written not only in economic figures or diplomatic statements. Reclaiming cognitive sovereignty is not nostalgia — it is necessity,” Yadav concluded.

About the Authors

Gabriel Mart

Israeli global public health researcher and Scientific Secretary at the International Burke Institute, specializing in knowledge systems.

Priyanka Yadav

Vice President of ONEFUTURE; Director of Educational Policy Research for India–Israel Cooperation. Senior policy researcher focused on cognitive sovereignty, educational reform, and international collaboration in knowledge systems.

 

Global Sovereignty Index Flags India’s Cognitive Deficit, Sparks Urgent Debate on Education and Knowledge Autonomy